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Arts Features | Fiction | Nonfiction | Poetry
In the River – by Searlait O’Neill
St Mary drowned in the floods.
It can be strange seeing objects drown. The eye isn’t looking for movements, because there never were any to begin with. What is the eye looking for?
It was a white marble, her rock body. And it seemed to represent something.
The salt pillar?
Muteness?
All our lost souls watching on?
The cathedral was flooded, but they hosed it out.
Sandcastles – by Ruth Armstrong
WINNER, OLGA MASTERS SHORT STORY AWARD 2022
Rumi doesn’t know how long he’s been on the beach. He’s not sunburnt, thanks to his yellow and red lycra stinger suit. He’s not particularly thirsty either. The only sign that time has passed is the collection of identical sandcastles lined up in evenly spaced rows fanning back from the shore – each moulded into the turreted shape of his plastic beach bucket … When the tide goes out it will leave his creations pale and brittle in the sun, and by the following morning they will be gone – no trace of them amongst the stingray holes and fragments of chalky bleached coral …
The Mowing – by Ivy Ireland
WINNER, OLGA MASTERS SHORT STORY AWARD 2021
That cloud looks more like a squished chicken than a dragon. Not a dragon day, then. Nothing auspicious. No signs or portents. Just an up-ended moon beside a squished chicken cloud, which is fast turning into a pile of dog turds. I close the blind before the sun rises above the tree line. I pour a coffee but don’t drink it. I wander in and out of my bedroom, but don’t change out of my crushed and sweaty PJs. I head outside and walk up the long, dusty drive to bring in the bins … I itch for a ciggie. No. As bad as things are, I’ve still got that one giant refusal to cling to …
In the Archives – by Keely Jobe
It’s as if the place is hermetically sealed. Left outside is a pelting rain, gushing pipes, greasy water surging over gutters and traffic islands, slopping into sandals and brogues, umbrellas sucked inside out like marrow from a bone, office workers jammed in alcoves with hands wrapped around takeaway coffees, waiting for the lights to go green. Also barred from entry, the petrichor and panic, the blaring horns, the hot-wet stickiness of a late spring storm. None of that has made it past the door. Once inside, you’re floating in white space …
Hawksbill – by Grace Heathcote
The turtle registers our presence with a flick of an eye, but does not pause. We are crouched so close we can see the salt-crust around her eyes, the dark-and-light patchwork of her face, the soft wrinkles on her neck. She watches us as we watch her. Where do we fit, I imagine her thinking: friend or foe?
Her strong back flippers scoop the sand to create a deep pit. Surprisingly dextrous, they stretch into the cavity and cup the sand carefully to lift it out …
A Thin, Brilliant Line – by Lal Perera
According to Mandy, the things we imagine are as important as the things that are real. I imagine if our house had no roof back then, a bird could look down and see the three of us in front of the TV: Dad lying along the length of the grey couch, me on the brown one, and then, once Mandy had done stretching herself out on the floor, the bird would see us making the shape of an arrow, and the arrow would point to the door …
Woonoongoora – by Caroline Gardam
The sun snuffs early and arrives late. Dawn is tardy, slow and defiant: a gentle light finally emerging, lightening – any birdsong chorus drowned by the rush of creek over rocks below, to the north. It’s a full three hours from first light to when winter rays deign to glitter the creek. Facing this little hut is a wall of green – an entire forest shuddering down from what we call a bluff because we think the name Fort is dumb for a proud outcrop. It’s part of the ridge along the scenic rim, of which I know nothing, but you gotta start somewhere …
The River Path – by Tadhg Muller
The rain came. Long steady sheets etching the sky in diagonal lines, the first glimpse of winter, a hint of cold in the air, and the street desolate. The rain fell on murky cobbles that mirrored the clouds. A dead-end town. Nowhere. Like a hazardous reef for a ship that you dragged your body onto, not sure of how, or why. You ended up marooned, sipping calvados and chewing on rillettes and torn warm baguette – at least I did.
We were caught by the downpour en route to another imaginary location, traversing the town in ever-expanding spirals, on the laneway, through the field, up the river and onto the ridge, until we reached a point of exhaustion and turning back. We’d taken to doing this time and time again, as the day came to an end, as it started to fade – our strange evening walks …
Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
As rainwater seeped through the laminate flooring, I piled my objects onto my bed: an antique out-of-tune zither, my books, a woven rainbow rug that had made my room my home. I lost none of these objects, but I did lose my shelving, which drank up water through its base. I also lost my room at the rental that had housed all my things – the doorway warped with water damage and was no longer safe to inhabit. I stayed with a friend for two-and-a-half weeks while I tried to find a new place to live. My objects were splayed across three different suburbs, and I felt fractured: one part at the old share house – safe if the disintegrating ship of the bed could hold – another part in a suitcase at a friend’s house, and a third split lifeline to my parents’ home. I wore my hamsa ring – silver hand with larimar stone at its centre – to ward off the evil eye. I needed spiritual protection, wanted to feel safe …
Strokes of White – by Julian Fell
(Image: Tim Storrier 2023, Twighlight Blaze Line - detail. Full image appears with the story, reproduced with permission of the artist.)
Red clay crumbles underfoot as two poles are driven deep into the earth. Sal Bridle, shirtless and sweaty, fastens a thick rope between them. He coats it in lacquer, and, with the conviction of a man inspired, strikes a match. Fire dances across the length of the rope until it is reduced to embers. Only once it has finished burning does he realise that he should have waited. No matter.
With his easel positioned in the shade thrown by his ute, Bridle spends the next couple of hours setting out the lay of the land: the twin peaks that loom over him, an expansive sky, a black band of horizon that sucks a bank of clouds towards its vanishing point …Then, with a single free-flowing stroke of white, he sets the rope alight …
The Dark House – by Emma Yearwood
I have taken to leaving the ceiling fan on all night due to an unnerving premonition that the air will set like jelly and I will no longer be able to breathe. The solution – I must stir it, stir it, keep the air in constant motion.
This house is older and darker, more closed in, than I’m used to – like chocolate, like soil humus, like dog fart. I am used to light and airy spaces, where the wind rattles about and you may as well be outside; I am used to a feeling of un-containment …
The Blue Fox – by Michael Burrows
“We create our own London; build our own streets and design our own St Pauls, but always, on the fringes, something lurks: crying in the night, knocking over dustbins, tearing out our hearts.”
… some nights there’d be screaming on Regent Street, or back-alley fights about stupid things, my jealousy or your pride, and London would drop away into inky darkness. What Estable would call ‘Piccadilly’s gaping maw’ would open and swallow us whole, and, dumb rabbits that we were, we’d skip hand-in-hand into the darkness, scoffing the breadcrumbs that would have guided us home …
Lines of Location – by Johanna Ellersdorfer
… With each step I take, webs come in and out of focus. Light-jewelled threads like small nets in the night sky. Looking upwards towards an opening in a leafy hedge, I see a spider begin to build its web. It starts as a single line, like unspooled thread, taut and bright in the light of the street lamp. The spider glides back and forth between other lines I can barely see, and then starts to join them into an intricate mesh.
Compared to the spider, my hands are clumsy. I have tried to stitch the night sky in a series of loops and knots, copying patterns designed by a Scottish woman who, the century before last, moved around this country with her engineer husband …
How to Kill a Pea – by Lara Keys
Twins! Adorable! Like two peas in a pod.
People say shit like that when they meet me and Mary. Well, old people say it. Kids wouldn’t. It’s stupid.
Mary smiles at them. Bang! Be. Ee. Ay. Em. A full-on blowtorch. That grin is squint-eyes kinda bright. She turns it on in an instant because she knows she’s beautiful.
I don’t smile.
I’m something else.
…
Shit. Not two peas at all. That is one perfect pea and that, that is one garbage pea …
How to Build a Brother – by Helena Pantsis
My brother is a creature slowly falling apart … He first breaks a bone in Year 8 when a football hits his hand and fractures his thumb in a thin, painful line down the bone. Our school doesn’t have a nurse, just a bursar with a first aid kit, so he is sent back to class to write with his broken thumb, to return to PE in his bright-purple sports uniform. He falls apart in these ways so subtly it’s hard to remember we are all fading, slowly …
Selfish Ghosts – by Heather Taylor-Johnson
WINNER, ISLAND NONFICTION PRIZE 2022
It’s 1978–79 and in an abandoned warehouse in New York City, at a diner slightly out-of-focus, on a crowded subway pistoling through Brooklyn, seen pissing in a toilet in a dilapidated cubicle is Arthur Rimbaud. Rimbaud’s in Coney Island and at the Hudson River sex piers. He’s shooting up heroin. He is masturbating. He is pointing at Jesus graffitied on a wall. He is holding a gun to his head …
Sudden, Temporary Deaths – by Chris Fleming
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
I had a dream last night that I could extend my arms and legs in any direction I wanted. At first, bending my forearm back past 180 degrees, I was sure it would dislocate; and it did – but only a little, like the nitrogen pop of cracking bones. I kept going and soon possessed complete flexion and extension. I discovered the more I bent my joints like this, the fewer dislocation pains there were, the quieter the pops. I moved on to incredible, disturbing yogic feats. And then, as I often do whenever I accomplish something impossible in a dream (unaided human flight, producing fresh juice inside my mouth to drink, passing my head through solid objects), the thought occurred to me:
anyone
can do this …
Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
It’s late December, and the subantarctic summer stretches out the daylight hours. On the slopes of the escarpment where the light-mantled albatross nest, egg hatching is imminent.
I approach one, sitting plump and pleased upon her scraped-together nest of mud and tussock. She’s as sleek as a Siamese cat, with slate-brown head fading seamlessly into a mantle of pale grey. Her crescent-moon eyes tell of pack ice and polar fronts.
I notice her stretching to gather scraps of grass within reach of her nest, and tucking them carefully under her body in preparation for her soon-to-hatch chick. Perhaps I shouldn’t, but I can’t help but proffer a dried grass stem myself, and, to my surprise, her powerful, hooked black bill delicately grasps it from my hand …
The Long Daylight – by Jo Gardiner
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
2015. December. Diamond Beach.
That Christmas, I travelled north from the Blue Labyrinth up through the dairy country east of the Barrington Tops and turned into Failford Road where great smooth-barked apple gums gathered amber light into their limbs.
As I crested the last rise before the small town of Diamond Beach, a snatch of violet sea appeared. That night, I remembered its colour as I rode the steady thump of surf into sleep.
On that first morning, before I met my three brothers and sister, magpies gathered on the open grassland before the dunes in front of the cabin and poured light from their throats. The whipbird whistled up the sun.
Fully fledged, first light
appears – swoops out from night and
conjures up a world …
Chaste – by Suri Matondkar
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
I once lived in a city where the buildings stood too close, edges brushing like sardined shadows on public transport.
I lived in an apartment on the third floor, sharing a room with a pair of girls. We sat on that floor, arms outstretched on either side – wingless birds imitating flight – joking about how our fingers touched each end of the room without even trying.
Stuck in that cage of cement. A luxurious one. Western toilet with flush, shower we never switched on. Buckets stoically awaiting flood. A ceiling with a bulb and tube light. Never to be used during the day, even if the room was bathed in gloom, because light was only needed at night.
The front door was held together with a chain that anyone could unhook with a floating arm, desperate fingers scraping until the metal clicked apart. Perfect for surprise wellness checks to ensure we weren’t being dirty girls who would invite dishonour into the house …
Archive
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Arts Features
- 12 June 2024 We Were Here – by Sarah Firth
- 2 Apr 2024 The perfect human – by Niki Bañados
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 2 June 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 June 2021 Julie Gough: Tense Past
- 1 June 2021 Tiefenzeit - by Tricky Walsh
- 1 June 2021 Islands and Ships - by Joshua Santospirito
- 1 June 2021 The Intimacy of Daily Life: The News is the Weather - by Rosie Flanagan and Miriam McGarry
- 1 June 2021 Fragments of Place - by Andrew Harper
- 1 June 2021 Beware of Imposters (the secret life of flowers) - by Selena de Carvalho
- 31 May 2021 Welcome Territory - Selena de Carvalho responds to Tanya Lee’s ‘Landing’
- 27 May 2021 Sisters Akousmatica: Herstory of Radio
- 25 May 2021 Double Yolker - by Mish Meijers
- 23 May 2021 Stepping Back from The Edge: Re-imagining Queenstown - by Cameron Hindrum
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Fiction
- 6 Nov 2024 The miracle – by Nadia Mahjouri
- 8 Oct 2024 Chrysalis – by Lachlan Plain
- 11 Sept 2024 The mystery of the lost hours – by Sue Brennan
- 4 Sept 2024 Masters – by Andrei Seleznev
- 7 Aug 2024 Paan – by Josefina Huq
- 18 July 2024 A major theft – by Emma Rosetta
- 17 July 2024 Devotion – by RT Wenzel
- 10 July 2024 He is the candle – by Lucy Norton
- 10 July 2024 These are no clear directions – by Lars Rogers
- 3 July 2024 Bound – by Liz Evans
- 26 June 2024 Prelude to a flight – by Joel Keith
- 30 May 2024 Dear life – by Susan Francis
- 27 May 2024 Refuse – by Hei Gou
- 15 May 2024 bodytruth – by Orlando Silver
- 15 May 2024 Lux – by Linden Hyatt
- 15 May 2024 Gristle and bone – by Jade Doyle
- 18 Apr 2024 Kevin – by Sarah Langfield
- 18 Apr 2024 Start where you are – by Jenny Sinclair
- 9 Apr 2024 Light hazard – by Sophie Overett
- 14 Mar 2024 Magic – by Maria Takolander and David McCooey
- 4 Mar 2024 The Budgie - by Jing Cramb
- 27 Nov 2023 The Interpreter – by Mariam Tokhi
- 13 Nov 2023 This Time Next Week – by Richard Rebel
- 13 Nov 2023 The Cheesewring – by Campbell Andersen
- 27 Oct 2023 Rat – by Anjelica Rush
- 14 Sept 2023 Nursery – by Nicola Redhouse
- 14 Sept 2023 Home of the Pure Heart, House of the Dying – by Rafael SW
- 21 Aug 2023 Sandcastles – by Ruth Armstrong
- 20 Aug 2023 The Mowing – by Ivy Ireland
- 16 Aug 2023 In the Archives – by Keely Jobe
- 11 Aug 2023 A Thin, Brilliant Line – by Lal Perera
- 6 July 2023 The River Path – by Tadhg Muller
- 6 June 2023 Strokes of White – by Julian Fell
- 23 May 2023 The Blue Fox – by Michael Burrows
- 23 May 2023 How to Kill a Pea – by Lara Keys
- 14 Apr 2023 Dottie and Pin Go Somewhere – by Kate Kruimink
- 29 Mar 2023 The Planet Terrarium - by Philomena van Rijswijk
- 2 Feb 2023 Sloane on the Mountain – by Alexander Bennetts
- 2 Feb 2023 Infrared – by Ryan Delaney
- 2 Feb 2023 The Day the Wave Came – by Paul Mitchell
- 17 Jan 2023 Collateral Damage – by John Tully
- 17 Jan 2023 Philomela – by Orana Loren
- 7 Dec 2022 The Museum – by Gemma Parker
- 7 Dec 2022 The Moths – by Gillian Britton
- 5 Dec 2022 Finger-branches – by Eliza Henry-Jones
- 10 Nov 2022 The Grass Painter – by KA Rees
- 23 Sept 2022 Nithing – by Clayton O’Toole
- 25 Aug 2022 Animal Life of Penang – by Claire Aman
- 25 Aug 2022 Butter – by Daniel Ray
- 15 Aug 2022 Not Gone, Just Different – by Rae White
- 15 Aug 2022 Rigel and Betelgeuse – by A E Macleod
- 1 Aug 2022 Get Joy from GetJoy – by Alex Cothren
- 20 June 2022 No Tomorrow – by Catherine Deery
- 20 June 2022 The Great Aviary of Love – by Kathryn Goldie
- 26 May 2022 Moss – by Jane Rawson
- 14 Apr 2022 Bombera – by Josefina Huq
- 17 Mar 2022 One Man’s Trash – by Piri Eddy
- 2 Mar 2022 Geometry of Lament – by Alicia Sometimes
- 10 Feb 2022 Interiors – by Zac Picker
- 21 Jan 2022 Phantom Menace Hours – by Victoria Manifold
- 21 Jan 2022 Sea Legs – by Sophie Overett
- 23 Nov 2021 Celebrity – by Chris McTrustry
- 5 Nov 2021 Fisher Girls – by Barry Lee Thompson
- 15 Oct 2021 Cake Flat - by Marion May Campbell
- 1 Oct 2021 An Encounter - by Katerina Gibson
- 16 Sept 2021 Captain Boner - by Alex Cothren
- 2 Sept 2021 Into the Clear Blue - by Susan McCreery
- 26 Aug 2021 Surrogate Mother - by Helena Pantsis
- 17 Aug 2021 An August for My July Mother - by Karina Ko
- 10 Aug 2021 The Good Woman - by Anneliz Erese
- 28 July 2021 A Man Alone - by Mark O’Flynn
- 13 July 2021 Boxing Day - by Fiona Robertson
- 2 July 2021 Severe Weather Warning - by Miriam Webster
- 24 June 2021 Three Fragments - by Cameron Hindrum
- 7 June 2021 King of Sweets - by Atul Joshi
- 6 June 2021 Agency - by Tasnim Hossain
- 2 June 2021 Go Get Boy – by Alison Flett
- 1 June 2021 Tiefenzeit - by Tricky Walsh
- 1 June 2021 The Lever, the Pulley and the Screw - by Andrew Roff
- 1 June 2021 The Voices of the Magpies - by Laura McPhee-Browne
- 1 June 2021 The Tick Tock Killer - by Alex Cothren
- 1 June 2021 Birds - by Anne Casey-Hardy
- 1 June 2021 The Wolves - by Josephine Rowe
- 1 June 2021 Cod Opening - by Wayne Marshall
- 27 May 2021 Stingrays - by Christine Kearney
- 25 May 2021 Eve - by Laura Elvery
- 23 May 2021 The Teeth and the Curl: A Note to a Cousin - by Robbie Arnott
- 23 May 2021 Extension - by Anthony Lynch
- 23 May 2021 Okay is a Verb - by Erin Hortle
- 23 May 2021 Into the Flames, Down to Our Shoes, Vienna - by John Saul
- 23 May 2021 Just Maybe - by Dominic Amerena
- 23 May 2021 46 - by Ana Duffy
- 23 May 2021 Apple Suite - by Danielle Wood
- 23 May 2021 Foundations - by Michael Blake
- 22 May 2021 Blackbird - by Magdalena Lane
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Nonfiction
- 22 Nov 2024 Brackish tongue – by Roanna McClelland
- 19 Nov 2024 The only fish – by Ben Walter
- 31 Oct 2024 The ballet school – by Helena Gjone
- 25 Sept 2024 Great flying soar and in command – by Lily Chan
- 19 Sept 2024 Dhanggal Bawagal: Mussel Sisters – by Michelle Vlatkovic
- 29 Aug 2024 The libraries we must enter, the songs we will sing – by Jamil Badi
- 22 Aug 2024 Girl/Monster – by Simmone Howell
- 14 Aug 2024 Words inside words – by Ouyang Yu
- 24 July 2024 Snakes in the valleys, in their hair – by Ben Walter
- 17 July 2024 Wave and blue – by Beth Kearney
- 26 June 2024 Conversation IV: Permission to witness – by Libby King
- 12 June 2024 Rain Rain – by Indigo Bailey
- 12 June 2024 Clothing the whiteness – by Isabella Wang
- 12 June 2024 The other hand – by Carly Stone
- 12 June 2024 Collection of collections – by Meredith Jelbart
- 12 June 2024 We Were Here – by Sarah Firth
- 30 May 2024 Thrift – by Catherine Zhou
- 27 May 2024 Bog bodies: Iron Age dreamland – by Lucinda Lagos
- 15 May 2024 Its bowl of red blooms out of sheer love of me – by Xiaole Zhan
- 18 Apr 2024 Laptop death – by David Thomas Henry Wright
- 18 Apr 2024 The goose of granite islands – by Suyanti Winoto-Lewin
- 2 Apr 2024 The perfect human – by Niki Bañados
- 1 Apr 2024 In Quarantine – by Megan Clement
- 31 Mar 2024 This Moon – by Megan Coupland
- 14 Mar 2024 Ghost streets – by Alexandra Sangster
- 4 Mar 2024 A thousand gifts – by Maki Morita
- 1 Feb 2024 Gifts from a harsh continent – by Tehnuka
- 11 Dec 2023 The Last Ever Comic to be Published in a Literary Magazine…Ever!!
- 27 Nov 2023 The Hairy Iceberg – by Kylie Moppert
- 27 Oct 2023 Scarface 1–5 – by Kylie Mirmohamadi
- 27 Oct 2023 The Conversation of Weaving – by RT Wenzel
- 14 Sept 2023 Sharehouse Archaeology – by Ale Prunotto
- 14 Sept 2023 In the River – by Searlait O’Neill
- 16 Aug 2023 Hawksbill – by Grace Heathcote
- 11 Aug 2023 Woonoongoora – by Caroline Gardam
- 22 June 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- 6 June 2023 The Dark House – by Emma Yearwood
- 23 May 2023 Lines of Location – by Johanna Ellersdorfer
- 23 May 2023 How to Build a Brother – by Helena Pantsis
- 28 Apr 2023 Selfish Ghosts – by Heather Taylor-Johnson
- 28 Apr 2023 Sudden, Temporary Deaths – by Chris Fleming
- 28 Apr 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- 28 Apr 2023 The Long Daylight – by Jo Gardiner
- 28 Apr 2023 Chaste – by Suri Matondkar
- 14 Apr 2023 Landfall – by Megan Coupland
- 2 Feb 2023 Lines of Curiosity – by Margaret Aitken
- 17 Jan 2023 Learning to Be Tame – by Carla Silbert
- 17 Jan 2023 Rubbish – by Liz Betts
- 8 Dec 2022 Pamirs – by Nathan Mifsud
- 7 Dec 2022 Compare and Contrast – by Gillian Bouras
- 6 Dec 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- 22 Nov 2022 I Go Down to the Shore – by RT Wenzel
- 22 Nov 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- 22 Nov 2022 Animal Rescue – by Bastian Fox Phelan
- 22 Nov 2022 In the Rain Shadow – by Jessica Carter
- 22 Nov 2022 The Magpie and the Scarecrow – by Helena Pantsis
- 22 Nov 2022 The Right One to Rescue – by Sharon Kent
- 23 Sept 2022 Far Out, Cats – by M.T. O’Byrne
- 1 Aug 2022 Straight From the Horse’s Mouth: Windsor Chairmaking in Tasmania – by Dan Dwyer
- 25 July 2022 Living Poets – by Jessica Lim
- 25 July 2022 An Open Space – by Luke Johnson
- 14 July 2022 A Shadow From Country – by Naomi Parry
- 14 July 2022 The Sound of Light – by Verity Borthwick
- 14 July 2022 If You Join the Circle, You Must Dance – by Katerina Cosgrove
- 14 July 2022 Hospitality – by Nicole Melanson
- 8 June 2022 The Ocean Sounds Like a Motorway – by Melissa Fagan
- 8 June 2022 The Backyard Project: Notes from Stolen Land – by Lia Hills
- 8 June 2022 Schrödinger’s Butterflies – by Dave Witty
- 8 June 2022 Feel the Quiet – by Zohra Aly
- 8 June 2022 And a Moth Flew Out – by Helena Kadmos
- 8 June 2022 A New Garden – by Erica Nathan
- 26 May 2022 The Third Angel of Chernobyl – by Carmel Bird
- 13 Apr 2022 A Year Without Mirrors – by Sarah Klenbort
- 17 Mar 2022 The Turkeys – by Saraid Taylor
- 2 Mar 2022 Spectral Coordinates – by Brigid Magner
- 10 Feb 2022 Falling Asleep Under the Love Umbrella – by Clare Millar
- 6 Dec 2021 A Waving Forest – by Zowie Douglas-Kinghorn
- 6 Dec 2021 Changing Spots – by Sharon Kent
- 6 Dec 2021 A Questionable Survey of Suburban Eucalypts – by Uthpala Gunethilake
- 6 Dec 2021 The Rats Move In – by Karen A Johnson
- 6 Dec 2021 Fire There Is – by Searlait O’Neill
- 6 Dec 2021 Riverine – by Kavita Bedford
- 24 Nov 2021 How to Be a Better Mother – by Lisa Kenway
- 8 Nov 2021 The Funeral [Farewell Kenny-G] – by W<J>P Newnham
- 28 Oct 2021 6 Years, 6 Months and 24 Days Apart – by Saanjana Kapoor
- 8 Oct 2021 Good For It - by Lillian Telford
- 21 Sept 2021 Peace Body Pain Body - by Jarad Bruinstroop
- 9 Sept 2021 The Orchid - by Erica Wheadon
- 26 Aug 2021 Various Emilys/Gondals - by Josie/Jocelyn Deane
- 17 Aug 2021 Fluctuations in Landscape/Language/Lasagne - by Christine Howe
- 10 Aug 2021 Witchcraft, charming, &c. - by Eliza Henry-Jones
- 29 July 2021 Submerged - by Nova Weetman
- 13 July 2021 Pilgrimage to Frog Hollow - by Clare Murphy
- 2 July 2021 You Can’t Go Home Again - by Jenny Sinclair
- 24 June 2021 31.5°S, 159°E - by Keely Jobe
- 7 June 2021 Athai - by Lakshmi Narayanan
- 6 June 2021 Reality Check - by Jocelyn Prasad
- 4 June 2021 Principles of Permaculture - by Sam George-Allen
- 2 June 2021 Fury - by Andrew Harper, on Lucienne Rickard’s ‘Extinction Studies’
- 2 June 2021 How Do You Make Them Let You Belong? - by Erin Hortle
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Poetry
- 27 Nov 2024 Friesland Farm under red clouds – by Cameron Lowe
- 13 Nov 2024 Dementia – by Anna Kerdijk Nicholson
- 31 Oct 2024 Visitor Ghazal – by Megan Cartwright
- 14 Oct 2024 1. – by Bobby K
- 22 Aug 2024 The Ascension on a MacBook Air – by Sam Morley
- 14 Aug 2024 The Edit / An Edit – by Michael Farrell
- 7 Aug 2024 Dysesthesia – by Shey Marque
- 24 July 2024 Dinner Call – by Anders Villani
- 3 July 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- 21 June 2024 white nonsense – by Alice Allan
- 19 June 2024 Telegram – by Natalie Susak
- 19 June 2024 new year’s day – by Mitch Cave
- 19 June 2024 Advice and Warnings – by Jill Jones
- 9 Apr 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
- 20 Mar 2024 Posture – by Jo Ward
- 20 Mar 2024 23 vignettes on the rental crisis – by Anna Jacobson
- 20 Mar 2024 Stanzas – by Jo Gardiner
- 20 Mar 2024 Parturition Chairs I-V – by Isabella G Mead
- 20 Mar 2024 Grandmother’s Limbs – by Svetlana Sterlin
- 20 Mar 2024 Friendly fire – by Tricia Dearborn
- 21 Feb 2024 Day 210 – by Brigid Coleridge
- 21 Feb 2024 Shedload – by Chris Andrews
- 21 Feb 2024 Improbable Acts of Proximity – by Shey Marque
- 24 Feb 2023 Sestina After B Carlisle – by Stuart Barnes
- 20 Feb 2023 Antarctica – by Andrew Sutherland
- 20 Feb 2023 The Girls Become – by John Foulcher
- 2 Mar 2022 Jobs for Women: Annunciate – by A Frances Johnson
- 2 Mar 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- 2 Mar 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- 2 Mar 2022 Exoskeletons – by John Kinsella
- 2 Mar 2022 The Memory of Water - by Amy Crutchfield
- 7 June 2021 In My Father’s House - by Suneeta Peres da Costa
- 2 June 2021 Another Kind of Winter - by Anne Kellas
- 2 June 2021 Water on Rock, Wind in Trees - by Pete Hay
- 1 June 2021 Voyager I - by Sarah Day
- 1 June 2021 Thirty Pieces - by A Frances Johnson
- 1 June 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- 1 June 2021 gadhalumarra - by Yaaran Ellis
- 1 June 2021 Pink Sun - by Toby Fitch
- 1 June 2021 Beach Front - by Ellen van Neerven
- 31 May 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- 28 May 2021 Sunlight / Dear Mum - by Graham Akhurst
- 28 May 2021 Hippophobia - by Chloe Wilson
- 25 May 2021 Tend - by Jo Langdon
- 25 May 2021 Distorted Depiction - by Cassandra Atherton
- 23 May 2021 Ash in Sydney - by Jake Goetz
- 23 May 2021 On the Day You Launch - by Damen O’Brien
- 23 May 2021 What the Glass Holds - by Jill Jones
- 23 May 2021 Ekphrasis - by Belinda Rule
- 23 May 2021 I Protest - by Ouyang Yu
- 23 May 2021 Pulled Apart by Seahorses - by Gavin Yates
- 23 May 2021 Sonnet 29 - by Stuart Barnes
- 23 May 2021 Waiting Room - by Felicity Plunkett
- 23 May 2021 Analogue - by Stephen Edgar