Frida Kahlo was broken and bedridden when she began painting. A trolley-car had crashed into her bus and she was speared by an iron handrail, puncturing her abdomen and uterus. Her spinal column was wrecked, her collarbone, ribs and pelvis a disaster, and she had eleven fractures in one leg, already shrunken from childhood polio. Frida’s mother had given her plaster-casted, immobile daughter a lap easel and hung a mirror from the bed’s canopy so that the eighteen-year-old might paint her own face to pass the many painful hours. Mí amor pequeña, Frida’s mother might have thought while looking down on her daughter, bandaged and bondaged, unaware of the fierce and revolutionary paintings that lay ahead: My little love.