In the River – by Searlait O’Neill
Nonfiction Searlait O'Neill Nonfiction Searlait O'Neill

In the River – by Searlait O’Neill

St Mary drowned in the floods.

It can be strange seeing objects drown. The eye isn’t looking for movements, because there never were any to begin with. What is the eye looking for?

It was a white marble, her rock body. And it seemed to represent something.

The salt pillar?

Muteness?

All our lost souls watching on?

The cathedral was flooded, but they hosed it out.

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Hawksbill – by Grace Heathcote
Nonfiction Grace Heathcote Nonfiction Grace Heathcote

Hawksbill – by Grace Heathcote

The turtle registers our presence with a flick of an eye, but does not pause. We are crouched so close we can see the salt-crust around her eyes, the dark-and-light patchwork of her face, the soft wrinkles on her neck. She watches us as we watch her. Where do we fit, I imagine her thinking: friend or foe?
Her strong back flippers scoop the sand to create a deep pit. Surprisingly dextrous, they stretch into the cavity and cup the sand carefully to lift it out …

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Woonoongoora – by Caroline Gardam
Nonfiction Caroline Gardam Nonfiction Caroline Gardam

Woonoongoora – by Caroline Gardam

The sun snuffs early and arrives late. Dawn is tardy, slow and defiant: a gentle light finally emerging, lightening – any birdsong chorus drowned by the rush of creek over rocks below, to the north. It’s a full three hours from first light to when winter rays deign to glitter the creek. Facing this little hut is a wall of green – an entire forest shuddering down from what we call a bluff because we think the name Fort is dumb for a proud outcrop. It’s part of the ridge along the scenic rim, of which I know nothing, but you gotta start somewhere …

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Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
Nonfiction Anna Jacobson and Katerina Bryant Nonfiction Anna Jacobson and Katerina Bryant

Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant

As rainwater seeped through the laminate flooring, I piled my objects onto my bed: an antique out-of-tune zither, my books, a woven rainbow rug that had made my room my home. I lost none of these objects, but I did lose my shelving, which drank up water through its base. I also lost my room at the rental that had housed all my things – the doorway warped with water damage and was no longer safe to inhabit. I stayed with a friend for two-and-a-half weeks while I tried to find a new place to live. My objects were splayed across three different suburbs, and I felt fractured: one part at the old share house – safe if the disintegrating ship of the bed could hold – another part in a suitcase at a friend’s house, and a third split lifeline to my parents’ home. I wore my hamsa ring – silver hand with larimar stone at its centre – to ward off the evil eye. I needed spiritual protection, wanted to feel safe …

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The Dark House – by Emma Yearwood
Nonfiction Emma Yearwood Nonfiction Emma Yearwood

The Dark House – by Emma Yearwood

I have taken to leaving the ceiling fan on all night due to an unnerving premonition that the air will set like jelly and I will no longer be able to breathe. The solution – I must stir it, stir it, keep the air in constant motion.

This house is older and darker, more closed in, than I’m used to – like chocolate, like soil humus, like dog fart. I am used to light and airy spaces, where the wind rattles about and you may as well be outside; I am used to a feeling of un-containment …

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Lines of Location – by Johanna Ellersdorfer
Nonfiction Johanna Ellersdorfer Nonfiction Johanna Ellersdorfer

Lines of Location – by Johanna Ellersdorfer

… With each step I take, webs come in and out of focus. Light-jewelled threads like small nets in the night sky. Looking upwards towards an opening in a leafy hedge, I see a spider begin to build its web. It starts as a single line, like unspooled thread, taut and bright in the light of the street lamp. The spider glides back and forth between other lines I can barely see, and then starts to join them into an intricate mesh.

Compared to the spider, my hands are clumsy. I have tried to stitch the night sky in a series of loops and knots, copying patterns designed by a Scottish woman who, the century before last, moved around this country with her engineer husband …

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How to Build a Brother – by Helena Pantsis
Nonfiction Helena Pantsis Nonfiction Helena Pantsis

How to Build a Brother – by Helena Pantsis

My brother is a creature slowly falling apart … He first breaks a bone in Year 8 when a football hits his hand and fractures his thumb in a thin, painful line down the bone. Our school doesn’t have a nurse, just a bursar with a first aid kit, so he is sent back to class to write with his broken thumb, to return to PE in his bright-purple sports uniform. He falls apart in these ways so subtly it’s hard to remember we are all fading, slowly …

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Selfish Ghosts – by Heather Taylor-Johnson
Nonfiction Heather Taylor-Johnson Nonfiction Heather Taylor-Johnson

Selfish Ghosts – by Heather Taylor-Johnson

WINNER, ISLAND NONFICTION PRIZE 2022

It’s 1978–79 and in an abandoned warehouse in New York City, at a diner slightly out-of-focus, on a crowded subway pistoling through Brooklyn, seen pissing in a toilet in a dilapidated cubicle is Arthur Rimbaud. Rimbaud’s in Coney Island and at the Hudson River sex piers. He’s shooting up heroin. He is masturbating. He is pointing at Jesus graffitied on a wall. He is holding a gun to his head …

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Sudden, Temporary Deaths – by Chris Fleming
Nonfiction Chris Fleming Nonfiction Chris Fleming

Sudden, Temporary Deaths – by Chris Fleming

SHORTLISTED, ISLAND NONFICTION PRIZE 2022

I had a dream last night that I could extend my arms and legs in any direction I wanted. At first, bending my forearm back past 180 degrees, I was sure it would dislocate; and it did – but only a little, like the nitrogen pop of cracking bones. I kept going and soon possessed complete flexion and extension. I discovered the more I bent my joints like this, the fewer dislocation pains there were, the quieter the pops. I moved on to incredible, disturbing yogic feats. And then, as I often do whenever I accomplish something impossible in a dream (unaided human flight, producing fresh juice inside my mouth to drink, passing my head through solid objects), the thought occurred to me:
anyone
can do this …

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Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
Nonfiction Emily Mowat Nonfiction Emily Mowat

Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat

SHORTLISTED, ISLAND NONFICTION PRIZE 2022

It’s late December, and the subantarctic summer stretches out the daylight hours. On the slopes of the escarpment where the light-mantled albatross nest, egg hatching is imminent.
I approach one, sitting plump and pleased upon her scraped-together nest of mud and tussock. She’s as sleek as a Siamese cat, with slate-brown head fading seamlessly into a mantle of pale grey. Her crescent-moon eyes tell of pack ice and polar fronts.
I notice her stretching to gather scraps of grass within reach of her nest, and tucking them carefully under her body in preparation for her soon-to-hatch chick. Perhaps I shouldn’t, but I can’t help but proffer a dried grass stem myself, and, to my surprise, her powerful, hooked black bill delicately grasps it from my hand …

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The Long Daylight – by Jo Gardiner
Nonfiction Jo Gardiner Nonfiction Jo Gardiner

The Long Daylight – by Jo Gardiner

SHORTLISTED, ISLAND NONFICTION PRIZE 2022

2015. December. Diamond Beach.
That Christmas, I travelled north from the Blue Labyrinth up through the dairy country east of the Barrington Tops and turned into Failford Road where great smooth-barked apple gums gathered amber light into their limbs.
As I crested the last rise before the small town of Diamond Beach, a snatch of violet sea appeared. That night, I remembered its colour as I rode the steady thump of surf into sleep.
On that first morning, before I met my three brothers and sister, magpies gathered on the open grassland before the dunes in front of the cabin and poured light from their throats. The whipbird whistled up the sun.

Fully fledged, first light
appears – swoops out from night and
conjures up a world …

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Chaste – by Suri Matondkar
Nonfiction Suri Matondkar Nonfiction Suri Matondkar

Chaste – by Suri Matondkar

SHORTLISTED, ISLAND NONFICTION PRIZE 2022

I once lived in a city where the buildings stood too close, edges brushing like sardined shadows on public transport.
I lived in an apartment on the third floor, sharing a room with a pair of girls. We sat on that floor, arms outstretched on either side – wingless birds imitating flight – joking about how our fingers touched each end of the room without even trying.
Stuck in that cage of cement. A luxurious one. Western toilet with flush, shower we never switched on. Buckets stoically awaiting flood. A ceiling with a bulb and tube light. Never to be used during the day, even if the room was bathed in gloom, because light was only needed at night.
The front door was held together with a chain that anyone could unhook with a floating arm, desperate fingers scraping until the metal clicked apart. Perfect for surprise wellness checks to ensure we weren’t being dirty girls who would invite dishonour into the house …

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Landfall – by Megan Coupland
Nonfiction Megan Coupland Nonfiction Megan Coupland

Landfall – by Megan Coupland

Thirty minutes north-west of Adelaide is a stretch of South Australian coastline synchronously, gloriously, luminous and bleak. In the language of the Kaurna people, the traditional owners of the land, it is Winaityinaityi Pangkara, ‘country belonging to all birds’. And from where I’m standing, not far from its northernmost point, I can see just a fragment: a shoreline so planar and still that it’s difficult to tell where solid ground transitions to water. It’s low tide, a Sunday in late January, and there is no one else in sight. There are the birds though, more numerous than I’d expected given the time of day and the settling heat …

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Lines of Curiosity – by Margaret Aitken
Nonfiction Margaret Aitken Nonfiction Margaret Aitken

Lines of Curiosity – by Margaret Aitken

The building was once used for storing vegetables, but the huge fridges have been re-crafted into offices, the drafty attic spaces renovated into meeting rooms. Crumbling bricks and dusty wooden floors testify to the original use. Paint peels from the rectangle that stands against the winter sky.

I scramble up the hill toward it, my silky dressing gown stuffed into my bag. I’ve chosen my outfit carefully. It’s easy to slip in and out of, doesn’t wrinkle when folded, not suggestive. I don’t knock before I open the corrugated-iron door …

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Learning to Be Tame – by Carla Silbert
Nonfiction Carla Silbert Nonfiction Carla Silbert

Learning to Be Tame – by Carla Silbert

Books with pastel covers tell me to expect the sensation of butterflies flapping deep in my stomach when I first feel ‘the little one’ kick. A butterfly is a fragile creature – a tiny rip in its wing renders it flightless. In my guts, an orca whale is doing somersaults. It is flipping and rolling in a too-small swimming pool, its smooth skin stretching the edges. I nickname the baby Tilikum after the orca who spent its life performing for tourists at SeaWorld in Florida. …

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Rubbish – by Liz Betts
Nonfiction Liz Betts Nonfiction Liz Betts

Rubbish – by Liz Betts

First rule of a crime story: always start with a body. The side of the road, wallaby grass, great lumps of quartz, broom beginning to flower. I see a flash of red, but I keep walking; it doesn’t scream crime. I stop, turn back, take a photograph, and move on … When I walk, I spy twiggy bush-pea, kangaroo tracks and white-winged choughs flying low. But what I am searching for is man-made …

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Pamirs – by Nathan Mifsud
Nonfiction Nathan Mifsud Nonfiction Nathan Mifsud

Pamirs – by Nathan Mifsud

In 1271, the merchant-explorer Marco Polo came upon the treeless valleys of the Pamirs – literally, the pastures. He saw lean beasts fatten within ten days, and wild sheep with horns six palms in length.

In 2015, two Australian cyclists negotiated a Tajik border post without incident. An eagle soared overhead. Marmots chirped and scampered in the alpine grasses. For lunch the men consumed two dumpling soups, two coffees and a bottle of Pepsi …

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Compare and Contrast – by Gillian Bouras
Nonfiction Gillian Bouras Nonfiction Gillian Bouras

Compare and Contrast – by Gillian Bouras

There are twenty-two vignettes in [The Summer Book by Tove Jansson], and the threads that bind them together are Grandmother and her six-year-old granddaughter, Sophia. Grandmother is nearing the end of her life, but Sophia is beginning hers, and is at the stage we all go through, that of thinking some seasons and routines are going to last and repeat themselves forever. But in sharp contrast, Grandmother feels that everything is gliding away from her. The book seems to be about nothing very much, but is about everything, about the ways in which life is lived over time … [W]hereas Sophia had a grandmother who taught her all sorts of things, I had my grandfather …

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Who Owns the Greek Myths? – by Katerina Cosgrove
Nonfiction Katerina Cosgrove Nonfiction Katerina Cosgrove

Who Owns the Greek Myths? – by Katerina Cosgrove

Novelistic retelling of Greek mythology has exploded in recent years … For me, a Greek-Australian writer, there is something about these books that feels disorienting. These works are literary, researched, respectful and probably well-meaning. I’ve taken pleasure in reading Miller’s Circe, Barker’s The Silence of the Girls and The Women of Troy, as well as Renault’s The King Must Die and The Bull from the Sea. Yet these books are written by privileged people with no small measure of power, the products of elite universities and classical educations. These writers have not publicly acknowledged consulting with Greek scholars or spent time living in Greece …

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I Go Down to the Shore – by RT Wenzel
Nonfiction RT Wenzel Nonfiction RT Wenzel

I Go Down to the Shore – by RT Wenzel

In the scheme of rivers, this river is not extraordinary. The surface is sometimes lustrous with scum and agricultural runoff, the riverbed coated in sludge and bacterial matting. Not a river you’d travel to see – although tourists do come for the platypuses.

Stretches of picturesque wilderness aren’t far away; this is Tasmania, after all. Golden mountainscapes and unpeopled beaches are always within driving distance. But I crave intimacy with my own backyard, and in particular, the uncultivated part beyond the marked beds, apple trees and sometimes-mown lawn. The terrain beyond the fence where the river lies …

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