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Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
As rainwater seeped through the laminate flooring, I piled my objects onto my bed: an antique out-of-tune zither, my books, a woven rainbow rug that had made my room my home. I lost none of these objects, but I did lose my shelving, which drank up water through its base. I also lost my room at the rental that had housed all my things – the doorway warped with water damage and was no longer safe to inhabit. I stayed with a friend for two-and-a-half weeks while I tried to find a new place to live. My objects were splayed across three different suburbs, and I felt fractured: one part at the old share house – safe if the disintegrating ship of the bed could hold – another part in a suitcase at a friend’s house, and a third split lifeline to my parents’ home. I wore my hamsa ring – silver hand with larimar stone at its centre – to ward off the evil eye. I needed spiritual protection, wanted to feel safe …

The Dark House – by Emma Yearwood
I have taken to leaving the ceiling fan on all night due to an unnerving premonition that the air will set like jelly and I will no longer be able to breathe. The solution – I must stir it, stir it, keep the air in constant motion.
This house is older and darker, more closed in, than I’m used to – like chocolate, like soil humus, like dog fart. I am used to light and airy spaces, where the wind rattles about and you may as well be outside; I am used to a feeling of un-containment …

Lines of Location – by Johanna Ellersdorfer
… With each step I take, webs come in and out of focus. Light-jewelled threads like small nets in the night sky. Looking upwards towards an opening in a leafy hedge, I see a spider begin to build its web. It starts as a single line, like unspooled thread, taut and bright in the light of the street lamp. The spider glides back and forth between other lines I can barely see, and then starts to join them into an intricate mesh.
Compared to the spider, my hands are clumsy. I have tried to stitch the night sky in a series of loops and knots, copying patterns designed by a Scottish woman who, the century before last, moved around this country with her engineer husband …

How to Build a Brother – by Helena Pantsis
My brother is a creature slowly falling apart … He first breaks a bone in Year 8 when a football hits his hand and fractures his thumb in a thin, painful line down the bone. Our school doesn’t have a nurse, just a bursar with a first aid kit, so he is sent back to class to write with his broken thumb, to return to PE in his bright-purple sports uniform. He falls apart in these ways so subtly it’s hard to remember we are all fading, slowly …

Selfish Ghosts – by Heather Taylor-Johnson
WINNER, ISLAND NONFICTION PRIZE 2022
It’s 1978–79 and in an abandoned warehouse in New York City, at a diner slightly out-of-focus, on a crowded subway pistoling through Brooklyn, seen pissing in a toilet in a dilapidated cubicle is Arthur Rimbaud. Rimbaud’s in Coney Island and at the Hudson River sex piers. He’s shooting up heroin. He is masturbating. He is pointing at Jesus graffitied on a wall. He is holding a gun to his head …

Sudden, Temporary Deaths – by Chris Fleming
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
I had a dream last night that I could extend my arms and legs in any direction I wanted. At first, bending my forearm back past 180 degrees, I was sure it would dislocate; and it did – but only a little, like the nitrogen pop of cracking bones. I kept going and soon possessed complete flexion and extension. I discovered the more I bent my joints like this, the fewer dislocation pains there were, the quieter the pops. I moved on to incredible, disturbing yogic feats. And then, as I often do whenever I accomplish something impossible in a dream (unaided human flight, producing fresh juice inside my mouth to drink, passing my head through solid objects), the thought occurred to me:
anyone
can do this …

Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
It’s late December, and the subantarctic summer stretches out the daylight hours. On the slopes of the escarpment where the light-mantled albatross nest, egg hatching is imminent.
I approach one, sitting plump and pleased upon her scraped-together nest of mud and tussock. She’s as sleek as a Siamese cat, with slate-brown head fading seamlessly into a mantle of pale grey. Her crescent-moon eyes tell of pack ice and polar fronts.
I notice her stretching to gather scraps of grass within reach of her nest, and tucking them carefully under her body in preparation for her soon-to-hatch chick. Perhaps I shouldn’t, but I can’t help but proffer a dried grass stem myself, and, to my surprise, her powerful, hooked black bill delicately grasps it from my hand …

The Long Daylight – by Jo Gardiner
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
2015. December. Diamond Beach.
That Christmas, I travelled north from the Blue Labyrinth up through the dairy country east of the Barrington Tops and turned into Failford Road where great smooth-barked apple gums gathered amber light into their limbs.
As I crested the last rise before the small town of Diamond Beach, a snatch of violet sea appeared. That night, I remembered its colour as I rode the steady thump of surf into sleep.
On that first morning, before I met my three brothers and sister, magpies gathered on the open grassland before the dunes in front of the cabin and poured light from their throats. The whipbird whistled up the sun.
Fully fledged, first light
appears – swoops out from night and
conjures up a world …

Chaste – by Suri Matondkar
SHORTLISTED, ISLAND NONFICTION PRIZE 2022
I once lived in a city where the buildings stood too close, edges brushing like sardined shadows on public transport.
I lived in an apartment on the third floor, sharing a room with a pair of girls. We sat on that floor, arms outstretched on either side – wingless birds imitating flight – joking about how our fingers touched each end of the room without even trying.
Stuck in that cage of cement. A luxurious one. Western toilet with flush, shower we never switched on. Buckets stoically awaiting flood. A ceiling with a bulb and tube light. Never to be used during the day, even if the room was bathed in gloom, because light was only needed at night.
The front door was held together with a chain that anyone could unhook with a floating arm, desperate fingers scraping until the metal clicked apart. Perfect for surprise wellness checks to ensure we weren’t being dirty girls who would invite dishonour into the house …

Landfall – by Megan Coupland
Thirty minutes north-west of Adelaide is a stretch of South Australian coastline synchronously, gloriously, luminous and bleak. In the language of the Kaurna people, the traditional owners of the land, it is Winaityinaityi Pangkara, ‘country belonging to all birds’. And from where I’m standing, not far from its northernmost point, I can see just a fragment: a shoreline so planar and still that it’s difficult to tell where solid ground transitions to water. It’s low tide, a Sunday in late January, and there is no one else in sight. There are the birds though, more numerous than I’d expected given the time of day and the settling heat …

Lines of Curiosity – by Margaret Aitken
The building was once used for storing vegetables, but the huge fridges have been re-crafted into offices, the drafty attic spaces renovated into meeting rooms. Crumbling bricks and dusty wooden floors testify to the original use. Paint peels from the rectangle that stands against the winter sky.
I scramble up the hill toward it, my silky dressing gown stuffed into my bag. I’ve chosen my outfit carefully. It’s easy to slip in and out of, doesn’t wrinkle when folded, not suggestive. I don’t knock before I open the corrugated-iron door …

Learning to Be Tame – by Carla Silbert
Books with pastel covers tell me to expect the sensation of butterflies flapping deep in my stomach when I first feel ‘the little one’ kick. A butterfly is a fragile creature – a tiny rip in its wing renders it flightless. In my guts, an orca whale is doing somersaults. It is flipping and rolling in a too-small swimming pool, its smooth skin stretching the edges. I nickname the baby Tilikum after the orca who spent its life performing for tourists at SeaWorld in Florida. …

Rubbish – by Liz Betts
First rule of a crime story: always start with a body. The side of the road, wallaby grass, great lumps of quartz, broom beginning to flower. I see a flash of red, but I keep walking; it doesn’t scream crime. I stop, turn back, take a photograph, and move on … When I walk, I spy twiggy bush-pea, kangaroo tracks and white-winged choughs flying low. But what I am searching for is man-made …

Pamirs – by Nathan Mifsud
In 1271, the merchant-explorer Marco Polo came upon the treeless valleys of the Pamirs – literally, the pastures. He saw lean beasts fatten within ten days, and wild sheep with horns six palms in length.
In 2015, two Australian cyclists negotiated a Tajik border post without incident. An eagle soared overhead. Marmots chirped and scampered in the alpine grasses. For lunch the men consumed two dumpling soups, two coffees and a bottle of Pepsi …

Compare and Contrast – by Gillian Bouras
There are twenty-two vignettes in [The Summer Book by Tove Jansson], and the threads that bind them together are Grandmother and her six-year-old granddaughter, Sophia. Grandmother is nearing the end of her life, but Sophia is beginning hers, and is at the stage we all go through, that of thinking some seasons and routines are going to last and repeat themselves forever. But in sharp contrast, Grandmother feels that everything is gliding away from her. The book seems to be about nothing very much, but is about everything, about the ways in which life is lived over time … [W]hereas Sophia had a grandmother who taught her all sorts of things, I had my grandfather …

Who Owns the Greek Myths? – by Katerina Cosgrove
Novelistic retelling of Greek mythology has exploded in recent years … For me, a Greek-Australian writer, there is something about these books that feels disorienting. These works are literary, researched, respectful and probably well-meaning. I’ve taken pleasure in reading Miller’s Circe, Barker’s The Silence of the Girls and The Women of Troy, as well as Renault’s The King Must Die and The Bull from the Sea. Yet these books are written by privileged people with no small measure of power, the products of elite universities and classical educations. These writers have not publicly acknowledged consulting with Greek scholars or spent time living in Greece …

I Go Down to the Shore – by RT Wenzel
In the scheme of rivers, this river is not extraordinary. The surface is sometimes lustrous with scum and agricultural runoff, the riverbed coated in sludge and bacterial matting. Not a river you’d travel to see – although tourists do come for the platypuses.
Stretches of picturesque wilderness aren’t far away; this is Tasmania, after all. Golden mountainscapes and unpeopled beaches are always within driving distance. But I crave intimacy with my own backyard, and in particular, the uncultivated part beyond the marked beds, apple trees and sometimes-mown lawn. The terrain beyond the fence where the river lies …

The Shimmer of Flying Fox Landscape – by Matthew Chrulew
… We are in William Robinson’s Flying Fox Landscape. At first we were just looking at this oil painting from 1989. We stood there trying to orient ourselves, bewildered by shifting perspectives. We knew what the artist had called it and followed his hint, searched for the flying fox. Perhaps it’s just named for the locale near his home. But that name must have come from their presence. Perhaps that’s the flying fox there, just below centre, a brush of angular purples caught up in some to-do with a magpie. But perhaps it is us. Sucked into this scene, thrown about by its winds, flipped this way and that …

Animal Rescue – by Bastian Fox Phelan
My first experience of rescuing a native animal doesn’t end well. It’s after midnight and I’m driving home to Newcastle from Sydney. At the big roundabout in Jesmond, there’s a flash of pale-coloured feathers in my headlights. I swerve. Did I hit it? We pull over. When my partner spots the bird, it’s mounting the gutter on the far side of the highway. I can see its pink and grey plumage under the streetlights. It’s a galah, seemingly unfazed by its brush with death, strutting in the confident, plucky way that parrots do – perhaps just out for a midnight stroll? But that doesn’t seem right. Galahs aren’t nocturnal, and if they can still fly, they shouldn’t be walking across roads. Something about its wing looks funny – the way its tapered tip sags like a door that’s come off its hinges …

In the Rain Shadow – by Jessica Carter
I wake to the smell of fading red blossoms. The air is warm already. There are bushfires in the west, yet the haze is not smoke but dust. Late last night I arrived here, on the other side of the Great Dividing Range, the one marked by rain shadow, and the absence of tall buildings, rushing humans, city fumes and ocean breeze. The sky is wider, the plant leaves tighter. Breathing comes lightly.
I’m back on the family farm, but the return is always fraught – a mixture of trepidation and a deep pull somewhere near my heart. A reminder of the queasy combination of fear and hope that comes with being tethered to something …
Archive
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Nonfiction
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- May 30, 2024 Thrift – by Catherine Zhou
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- Aug 11, 2023 Woonoongoora – by Caroline Gardam
- Jun 22, 2023 Objects of Illness/Recovery – by Anna Jacobson and Katerina Bryant
- Jun 6, 2023 The Dark House – by Emma Yearwood
- May 23, 2023 Lines of Location – by Johanna Ellersdorfer
- May 23, 2023 How to Build a Brother – by Helena Pantsis
- Apr 28, 2023 Selfish Ghosts – by Heather Taylor-Johnson
- Apr 28, 2023 Sudden, Temporary Deaths – by Chris Fleming
- Apr 28, 2023 Wingsets and Snowdrifts: A Subantarctic Year – by Emily Mowat
- Apr 28, 2023 The Long Daylight – by Jo Gardiner
- Apr 28, 2023 Chaste – by Suri Matondkar
- Apr 14, 2023 Landfall – by Megan Coupland
- Feb 2, 2023 Lines of Curiosity – by Margaret Aitken
- Jan 17, 2023 Learning to Be Tame – by Carla Silbert
- Jan 17, 2023 Rubbish – by Liz Betts
- Dec 8, 2022 Pamirs – by Nathan Mifsud
- Dec 7, 2022 Compare and Contrast – by Gillian Bouras
- Dec 6, 2022 Who Owns the Greek Myths? – by Katerina Cosgrove
- Nov 22, 2022 I Go Down to the Shore – by RT Wenzel
- Nov 22, 2022 The Shimmer of Flying Fox Landscape – by Matthew Chrulew
- Nov 22, 2022 Animal Rescue – by Bastian Fox Phelan
- Nov 22, 2022 In the Rain Shadow – by Jessica Carter
- Nov 22, 2022 The Magpie and the Scarecrow – by Helena Pantsis
- Nov 22, 2022 The Right One to Rescue – by Sharon Kent
- Sep 23, 2022 Far Out, Cats – by M.T. O’Byrne
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- Jul 2, 2021 You Can’t Go Home Again - by Jenny Sinclair
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Poetry
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- Jun 16, 2025 Rescue – by Toby Davidson
- Jun 2, 2025 with flowers – by Alexander Bennetts
- May 15, 2025 An Island of Dogs – by Ronald Araña Atilano
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- Mar 20, 2025 The Burial Feathers – by Yasmin Smith
- Mar 20, 2025 Lateral ambling gait – by Emilie Collyer
- Mar 20, 2025 and – by Helen Jarvis
- Mar 11, 2025 Pedder Galaxias Pantoum – by Toby Fitch
- Feb 27, 2025 Night Movements – by Daniel Ray
- Feb 19, 2025 Chinese Funerals as Theatre – by Xin Lee
- Feb 5, 2025 Love Poem – by Luoyang Chen
- Dec 18, 2024 Washing my mother’s hair – by Helen Jarvis
- Nov 27, 2024 Friesland Farm under red clouds – by Cameron Lowe
- Nov 13, 2024 Dementia – by Anna Kerdijk Nicholson
- Oct 31, 2024 Visitor Ghazal – by Megan Cartwright
- Oct 14, 2024 1. – by Bobby K
- Aug 22, 2024 The Ascension on a MacBook Air – by Sam Morley
- Aug 14, 2024 The Edit / An Edit – by Michael Farrell
- Aug 7, 2024 Dysesthesia – by Shey Marque
- Jul 24, 2024 Dinner Call – by Anders Villani
- Jul 3, 2024 ‘Helen’ by Euripides – by Andrew Sutherland
- Jun 21, 2024 white nonsense – by Alice Allan
- Jun 19, 2024 Telegram – by Natalie Susak
- Jun 19, 2024 new year’s day – by Mitch Cave
- Jun 19, 2024 Advice and Warnings – by Jill Jones
- Apr 9, 2024 If Movement Were a Language: Triptych – by Svetlana Sterlin
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- Mar 20, 2024 23 vignettes on the rental crisis – by Anna Jacobson
- Mar 20, 2024 Stanzas – by Jo Gardiner
- Mar 20, 2024 Parturition Chairs I-V – by Isabella G Mead
- Mar 20, 2024 Grandmother’s Limbs – by Svetlana Sterlin
- Mar 20, 2024 Friendly fire – by Tricia Dearborn
- Feb 21, 2024 Day 210 – by Brigid Coleridge
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- Feb 21, 2024 Improbable Acts of Proximity – by Shey Marque
- Feb 24, 2023 Sestina After B Carlisle – by Stuart Barnes
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- Feb 20, 2023 The Girls Become – by John Foulcher
- Mar 2, 2022 Jobs for Women: Annunciate – by A Frances Johnson
- Mar 2, 2022 Heating and Cooling in the Time of Isolation – by Jessica L Wilkinson
- Mar 2, 2022 Self-portrait as Frida Kahlo – by Katherine Brabon
- Mar 2, 2022 Exoskeletons – by John Kinsella
- Mar 2, 2022 The Memory of Water - by Amy Crutchfield
- Jun 7, 2021 In My Father’s House - by Suneeta Peres da Costa
- Jun 2, 2021 Another Kind of Winter - by Anne Kellas
- Jun 2, 2021 Water on Rock, Wind in Trees - by Pete Hay
- Jun 1, 2021 Voyager I - by Sarah Day
- Jun 1, 2021 Thirty Pieces - by A Frances Johnson
- Jun 1, 2021 Maria-Mercè in the Palm Grove - by Eileen Chong
- Jun 1, 2021 gadhalumarra - by Yaaran Ellis
- Jun 1, 2021 Pink Sun - by Toby Fitch
- Jun 1, 2021 Beach Front - by Ellen van Neerven
- May 31, 2021 Walking a Forest Trail One Summer Afternoon - by Judith Beveridge
- May 28, 2021 Sunlight / Dear Mum - by Graham Akhurst
- May 28, 2021 Hippophobia - by Chloe Wilson
- May 25, 2021 Tend - by Jo Langdon
- May 25, 2021 Distorted Depiction - by Cassandra Atherton
- May 23, 2021 Ash in Sydney - by Jake Goetz
- May 23, 2021 On the Day You Launch - by Damen O’Brien
- May 23, 2021 What the Glass Holds - by Jill Jones
- May 23, 2021 Ekphrasis - by Belinda Rule
- May 23, 2021 I Protest - by Ouyang Yu
- May 23, 2021 Pulled Apart by Seahorses - by Gavin Yates
- May 23, 2021 Sonnet 29 - by Stuart Barnes
- May 23, 2021 Waiting Room - by Felicity Plunkett
- May 23, 2021 Analogue - by Stephen Edgar